Flatbed Press: A Selection of Prints Installation View Moody Gallery 2017
Terry Allen Caged, 1996 soft ground, sugar lift aquatint and line etching, ed: 22 19 3/4" x 13" TA 78
Terry Allen Good Fucking Luck II, 1996 intaglio, line etching with chine collé, ed: 22 19 3/4" x 13" TA 80
Terry Allen Hitter, 1996 soft ground and aquatint etching with sugar lift, chine collé, ed: 22 18" x 12" TA 81
Terry Allen Holding, 1996 line etching, ed: 22 19 3/4" x 13" TA 77
Terry Allen Portrait, 1996 aquatint and soft ground etching with chine collé, ed: 22 20" x 13" TA 82
Terry Allen When She Kisses the Ship, 1996 drypoint etching, ed: 22 19 3/4" x 13" TA 76
Terry Allen Rage, 1995 etching, aquatint, collaged fabric, ed: A/P 42 7/8" x 39 1/2" TA 75
Terry Allen Holdings, 1998 etching and aquatint, ed: 22 25 3/4" x 19 3/4" TA 122
Terry Allen Split Decision, 1998 line etching with chine collé , ed: 22 26" x 19 3/4" TA 123
Luis Jiménez The Mares, 1998 soft ground etching, ed: 60 15" x 11" LAJ 135
Luis Jiménez Raven Skull, 1998 soft ground etching, ed: 75 15" x 11" LAJ 136
Luis Jiménez Adan, 1998 soft ground etching, ed: 30 15" x 11" LAJ 137
Luis Jiménez Annie, 1998 soft ground etching, ed: 30 15" x 11" LAJ 138
Luis Jiménez Abu Ghraib, 2008 stone lithograph, ed: 41 40" x 52" LAJ 269
Luis Jiménez Self Portrait, 1995 soft ground etching and spit bite aquatint, ed: 50 53 3/4" x 40 3/8" LAJ 105
Mary McCleary Between Darkness and Light, 2005 intaglio, chine colle ed: 14 22 3/4" x 25 1/2" MMC 18
Mary McCleary To dream more, to dream all the time, 2012 intaglio, ed: 24 22 1/4" x 26" MMC 64
Mary McCleary Traveler, 2012 intaglio, chine colle, ed: 24 22 1/4" x 26" MMC 65
Mary McCleary Names Written in Water, 2016 photopolymer gravure, ed: 30 22 1/2" x 29" MMC 79
Mary McCleary Young Crow Arranging His Collection, 2016 photopolymer gravure chine collé, ed: 30 32 1/8" x 24 1/4" MMC 78
Melissa Miller Anima, 1996 aquatint, line etching, chine colle, ed: 50 19 1/8" x 21 3/8" MM 7
Melissa Miller Group, 1998 one-color etching w/ handcoloring, ed: Flatbed V 15" x 11" MM 12
Melissa Miller Water Spirits, 1992 etching, ed: 40 30 1/4" x 22 1/4" MM 3
Andrea Rosenberg Untitled, 2002 spit bite aquatint, ed: 8 46" x 39" AR 33
Randy Twaddle Lankydoo, 2012 two-color aquatint, ed: 24 39 3/4" x 29" RT 280
Liz Ward Poza (from the Increments Suite), 2001 intaglio on paper, ed: 40 38" x 26" LW 89
Liz Ward Stone Pools (from the Increments Suite), 2001 intaglio on paper, ed: 40 38" x 26" LW 90
Liz Ward Limpet (from the Increments Suite), 2001 intaglio on paper, ed: 40 38" x 26" LW 91
Liz Ward Fossil (from the Increments Suite), 2001 intaglio on paper, ed: 40 38" x 26" LW 92
Liz Ward Hoja (from the Increments Suite), 2001 intaglio on paper, ed: 40 38" x 26" LW 93
Liz Ward Ice Core, 2012 Spit-bite aquatint, staged aquatint and line etching with blind embossment, ed: 30 38" x 18" LW 222
Liz Ward Glacial Ghost with Fossil Flowers, 2012 Spit-bite aquatint, staged aquatint and line etching with blind embossment, ed: 30 38" x 18" LW 221
Mark Lesly Smith Hope Suite, 2008 - 2014 suite of 44 monotypes with collage and mixed media 24" x 18" each individual archival prints available for $750 each MLS 14
James Surls Heartland, 2006 - 2009 suite of 11 polymer direct gravures, ed: 21 20" x 16 1/4" each individual prints available for $1,600 each MLS 13
Bale Allen Untitled, 2002 photopolymer etching, ed: 20 15" x 14 3/4" MLS 1
Billy Hassell Red Winged Black Bird, 2007 chine collé aquatint etching, ed: 40 25 2/3" x 19" MLS 5
Alice Leora Briggs La Ventana, 2013 chine collé woodcut, ed: 10 63 1/2" x 41 1/2" FBP 2
Hills Snyder Jones for the Nazz, 2008 relief intaglio, ed: 21 15” x 11” MLS 8
Julie Speed Ad Referendum, 2005 color polymer direct gravure, chine collé, ed: 40 30” x 22” FBP 11
Bert Long Untitled (Cross), 1992 monotype 22 1⁄4” x 15 MLS 6
Dan Rizzie Blackberry Thieves II, 2008 mounted color woodcut, ed: 15 40 3/4" x 33 3/4" FBP 8
John Alexander Red Roses, 2001 lithograph, ed: 35 30” x 22” FBP 1
James Surls In My Hand, 2007 polymer gravure, chiri chine collé, ed: 8 27” x 22” MLS 9
Jules Buck Jones I Saw A Crow, 2014 soft ground and aquatint intaglio, ed: 15 63 1/2" x 41" FBP 4
Sharon Kopriva The Witching Hour, 2015 monotype 30" x 22" FBP 5
Keith Carter Luna, 1995 chine collé photogravure, ed: 8 29 1/2" x 22 1/4" MLS 2
Liliana Porter Situation with Dog, 2009 chine collé photogravure with collage, ed: 30 30” x 22” FBP 6
Joan Winter Marfa (blue), 2007 soft ground etching, ed: 10 29” x 29” MLS 10
Joan Winter Marfa (green), 2007 soft ground etching, ed: 10 29” x 29” MLS 11
Margo Sawyer Index for Contemplation #6, 2001 monoprint 60” x 42” FBP 9
Dan Rizzie Nature Morte II, 2003 color aquatint, ed: 30 30” x 22” MLS 7
Suzi Davidoff Bird of Paradise, Astrologer's Comet Drawings, 2005 chine collé soft ground etching and aquatint with hand applied pigment, ed: 20 30” x 22” MLS 4
Suzi Davidoff Warlobe, Leoid Meteor Shower, 2005 chine collé soft ground etching and aquatint with hand applied pigment, ed: 20 30” x 22” MLS 3
Casey Williams Texas Landscape I, 1995 photogravure, ed: 50 26” x 19 1/2" FBP 12
Burton Pritzker Avocado Seed, 2000 photogravure, ed: 25 6 3/4" x 4 3/4" MLS 12
Linda Ridgeway I Dwell in a Lonely House I Know, 2009 relief inking of unmounted crocheted piece with drawing, ed: 3 14 1/2" x 69 3/4" FBP 7
Trenton Doyle Hancock Post Load, 1998 line etching, spit bite aquatint, ed: 16 22 1/4” x 15" FBP 3
Lee Smith III Hymn to the Flame, 1993 line etching, aquatint, ed: 24 14” x 16” FBP 10
