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Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Flatbed Press: A Selection of Prints
Installation View
Moody Gallery
2017

Inquire

Terry Allen
Caged, 1996
soft ground, sugar lift aquatint and line etching, ed: 22
19 3/4" x 13"
TA 78

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Terry Allen
Good Fucking Luck II, 1996
intaglio, line etching with chine collé, ed: 22
19 3/4" x 13"
TA 80

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TA 81

Terry Allen
Hitter, 1996
soft ground and aquatint etching with sugar lift, chine collé, ed: 22
18" x 12"
TA 81

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Terry Allen
Holding, 1996
line etching, ed: 22 19 3/4" x 13"
TA 77

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Terry Allen
Portrait, 1996
aquatint and soft ground etching with chine collé, ed: 22
20" x 13"
TA 82

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Terry Allen
When She Kisses the Ship, 1996
drypoint etching, ed: 22
19 3/4" x 13"
TA 76

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Terry Allen
Rage, 1995
etching, aquatint, collaged fabric, ed: A/P
42 7/8" x 39 1/2"
TA 75

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Terry Allen
Holdings, 1998
etching and aquatint, ed: 22
25 3/4" x 19 3/4"
TA 122

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Terry Allen
Split Decision, 1998
line etching with chine collé , ed: 22
26" x 19 3/4"
TA 123

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Luis Jiménez
The Mares, 1998
soft ground etching, ed: 60
15" x 11"
LAJ 135

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Luis Jiménez
Raven Skull, 1998
soft ground etching, ed: 75
15" x 11"
LAJ 136

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Luis Jiménez
Adan, 1998
soft ground etching, ed: 30
15" x 11"
LAJ 137

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Luis Jiménez
Annie, 1998
soft ground etching, ed: 30
15" x 11"
LAJ 138

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Luis Jiménez
Abu Ghraib, 2008
stone lithograph, ed: 41
40" x 52"
LAJ 269

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Luis Jiménez
Self Portrait, 1995
soft ground etching and spit bite aquatint, ed: 50
53 3/4" x 40 3/8"
LAJ 105

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Mary McCleary
Between Darkness and Light, 2005
intaglio, chine colle
ed: 14 22 3/4" x 25 1/2"
MMC 18

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Mary McCleary
To dream more, to dream all the time, 2012
intaglio, ed: 24
22 1/4" x 26"
MMC 64

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Mary McCleary
Traveler, 2012
intaglio, chine colle, ed: 24
22 1/4" x 26"
MMC 65

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Mary McCleary
Names Written in Water, 2016
photopolymer gravure, ed: 30
22 1/2" x 29"
MMC 79

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Mary McCleary
Young Crow Arranging His Collection, 2016
photopolymer gravure chine collé, ed: 30
32 1/8" x 24 1/4"
MMC 78

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Melissa Miller
Anima, 1996
aquatint, line etching, chine colle, ed: 50
19 1/8" x 21 3/8"
MM 7

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Melissa Miller
Group, 1998
one-color etching w/ handcoloring, ed: Flatbed V
15" x 11"
MM 12

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Melissa Miller
Water Spirits, 1992
etching, ed: 40
30 1/4" x 22 1/4"
MM 3

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Andrea Rosenberg
Untitled, 2002
spit bite aquatint, ed: 8
46" x 39"
AR 33

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Randy Twaddle
Lankydoo, 2012
two-color aquatint, ed: 24
39 3/4" x 29"
RT 280

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Liz Ward
Poza (from the Increments Suite), 2001
intaglio on paper, ed: 40
38" x 26"
LW 89

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Liz Ward
Stone Pools (from the Increments Suite), 2001
intaglio on paper, ed: 40
38" x 26"
LW 90

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Liz Ward
Limpet (from the Increments Suite), 2001
intaglio on paper, ed: 40
38" x 26"
LW 91

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Liz Ward
Fossil (from the Increments Suite), 2001
intaglio on paper, ed: 40
38" x 26"
LW 92

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Liz Ward
Hoja (from the Increments Suite), 2001
intaglio on paper, ed: 40
38" x 26"
LW 93

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Liz Ward
Ice Core, 2012
Spit-bite aquatint, staged aquatint and line etching with blind embossment, ed: 30
38" x 18"
LW 222

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Liz Ward
Glacial Ghost with Fossil Flowers, 2012
Spit-bite aquatint, staged aquatint and line etching with blind embossment, ed: 30
38" x 18"
LW 221

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Mark Lesly Smith
Hope Suite, 2008 - 2014
suite of 44 monotypes with collage and mixed media
24" x 18" each
individual archival prints available for $750 each
MLS 14

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James Surls
Heartland, 2006 - 2009
suite of 11 polymer direct gravures, ed: 21
20" x 16 1/4" each individual prints available for $1,600 each
MLS 13

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Bale Allen
Untitled, 2002
photopolymer etching, ed: 20
15" x 14 3/4"
MLS 1

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Billy Hassell
Red Winged Black Bird, 2007
chine collé aquatint etching, ed: 40
25 2/3" x 19"
MLS 5

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Alice Leora Briggs
La Ventana, 2013
chine collé woodcut, ed: 10
63 1/2" x 41 1/2"
FBP 2

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Hills Snyder
Jones for the Nazz, 2008
relief intaglio, ed: 21
15” x 11”
MLS 8

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Julie Speed
Ad Referendum, 2005
color polymer direct gravure, chine collé, ed: 40
30” x 22”
FBP 11

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Bert Long
Untitled (Cross), 1992
monotype
22 1⁄4” x 15
MLS 6

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Dan Rizzie
Blackberry Thieves II, 2008
mounted color woodcut, ed: 15
40 3/4" x 33 3/4"
FBP 8

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John Alexander
Red Roses, 2001
lithograph, ed: 35
30” x 22”
FBP 1

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James Surls
In My Hand, 2007
polymer gravure, chiri chine collé, ed: 8
27” x 22”
MLS 9

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Jules Buck Jones
I Saw A Crow, 2014
soft ground and aquatint intaglio, ed: 15
63 1/2" x 41"
FBP 4

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Sharon Kopriva
The Witching Hour, 2015
monotype
30" x 22"
FBP 5

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Keith Carter
Luna, 1995
chine collé photogravure, ed: 8
29 1/2" x 22 1/4"
MLS 2

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Liliana Porter
Situation with Dog, 2009
chine collé photogravure with collage, ed: 30
30” x 22”
FBP 6

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Joan Winter
Marfa (blue), 2007
soft ground etching, ed: 10
29” x 29”
MLS 10

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Joan Winter
Marfa (green), 2007
soft ground etching, ed: 10
29” x 29”
MLS 11

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Margo Sawyer
Index for Contemplation #6, 2001
monoprint
60” x 42”
FBP 9

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Dan Rizzie
Nature Morte II, 2003
color aquatint, ed: 30
30” x 22”
MLS 7

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Suzi Davidoff
Bird of Paradise, Astrologer's Comet Drawings, 2005
chine collé soft ground etching and aquatint with hand applied pigment, ed: 20
30” x 22”
MLS 4

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Suzi Davidoff
Warlobe, Leoid Meteor Shower, 2005
chine collé soft ground etching and aquatint with hand applied pigment, ed: 20
30” x 22”
MLS 3

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Casey Williams
Texas Landscape I, 1995
photogravure, ed: 50
26” x 19 1/2"
FBP 12

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Burton Pritzker
Avocado Seed, 2000
photogravure, ed: 25
6 3/4" x 4 3/4"
MLS 12

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Linda Ridgeway
I Dwell in a Lonely House I Know, 2009
relief inking of unmounted crocheted piece with drawing, ed: 3
14 1/2" x 69 3/4"
FBP 7

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Trenton Doyle Hancock
Post Load, 1998
line etching, spit bite aquatint, ed: 16
22 1/4” x 15"
FBP 3

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Lee Smith III
Hymn to the Flame, 1993
line etching, aquatint, ed: 24
14” x 16”
FBP 10

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TA 81
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